Rather Desdemona’s speculated adultery turned him into something similar to a monster. Othello, not only used metaphors to contemplate killing his wife, he also uses allusion to Greek Mythology. He loathes her for her infidelity and, at the same time, he is devoted to the faithful Desdemona he once knew. Othello is presented as an outsider in Act 1 – Scene 1 through Shakespeare’s use of metaphors. For example, Othello’s soliloquy before he murders Desdemona (5 Shakespeare uses many types of figurative language tools such as metaphor, simile, and personification to paint pictures with his words. Othello is rife with animal metaphors. Just like a kidnapper ties up a victim, and then takes that victim, so too does Othello seemingly ensnare Desdemona before he runs off with her. In particular, this language is used to describe Othello, the "Barbary horse," or the "beautiful creature" Desdemona. Othello proves this to Brabantio, and the Duke talks to Brabantio about accepting the union of Othello and Desdemona when he states, “And, noble signor, / If virtue no delighted beauty lack, / Your son-in-law is far more fair than black” (I.iii.288-290). Foreshadowing The TO DIE UPON A KISS": LOVE AND DEATH AS METAPHORS IN" OTHELLO. Literary Terms in Othello Parallelism Foreshadowing Definition: A literary device that uses components in a sentence that are grammatically the same; or similar in their construction, sound, meaning or meter. Recognizing when his characters are speaking figuratively helps to understand what they are saying. (5.2.12-13). These conflicting emotions are developed using a mixture of metaphor and contrast. Metaphor and Contrast in Lines 299-318 in Act III, Scene iii of Othello Othello’s feelings toward Desdemona are vacillating. Location: I.iii.380-404 Quote: Iago repeats "put money in thy purse" In Act 4, Othello exclaims that “A horned man’s a monster and a beast…”. He uses Othello’s skin color as … Metaphor: Brabantio thinks Othello has put a love spell on Desdemona. In the allusion Othello refers to Promethean Heat while saying “I know not where is that Promethean Heat, That can thy light relume. of the love-and-death territory: marriage, which, by contrast, is the main concern of Othello. He is comparing this spell to chains. Metaphor 16, Othello: Like to the Pontic sea, Whose icy current and compulsive course Ne’er feels retiring ebb, but keeps due on To the Propontic and the Hellespont, Even so my bloody thoughts, with violent pace, Shall ne’er look back, ne’er ebb to humble love, Till that a capable and wide revenge Swallow them up. This example is a metaphor because Othello does not literally become a beast. Literary Devices in act 2 of "othello" Imagery The use of pictures, description, or figures of speech such as similes and metaphors to visualize a mood, idea or character Act 2:1, 164-165: "With as little a web as this will I ensnare as great a fly as Cassio." Metaphors are also frequently prevalent in Shakespeare’s texts, including Othello. The noun ‘barbary’ descends from the word barb, an Arabian breed of horse that is known for aggressive tendencies. Iago describes Othello as a ‘Barbary horse’ when speaking to Brabantiao about Othello’s marriage to his daughter. 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